"I'm the cousin..."/ The falcon takes 60 thousand euros from the money changer, introduced himself as a relative of a businessman
A money changer in Durrës lost 60 thousand euros after bei...
A money changer in Durrës lost 60 thousand euros after bei...

CNA has published another scandal from the SPAK investigative file revealed by the court, which shows how millions of lek have passed from TKOB (National Opera and Ballet Theater) to Elman Abule and from the latter to Ajola Xoxa's NGO.
The messages from two financiers, Elman Abule and Ajola Xoxa, reveal the entire scheme.
Elman Abules' economist sends Adela Kondakçiu some photos that seem to be related in their content to two rental contracts concluded between "Rametal" sh.pk and TKOB. Specifically, according to one contract, "Rametal" sh.pk undertakes to rent, that is, to benefit from income from TKOB through the rental in this case, a series of items specified in the annex, for the ballet "Preljocaj".
Likewise, in the other contract, "Rametal" sh.pk rents a series of stage items to TKOB, this time for the "Sonoma" event, mentioned above when we talked about the funding received by "BYL-A" from the Municipality of Tirana and the KRK.
The rental amounts for the case of the ballet "Preljocaj" are 1,213,380 lek and for "Sonoma" 1,868,220 lek. It has been agreed that these amounts will be transferred to the bank account of "Rametal" sh.pk represented by citizen Elman Abule, who has also signed the contracts, with the respective bank transfer.

At this moment, Adela Kondakçiu , on page 52, tells her interlocutor: "I will talk to the boss about the reconciliation part."
The economist replies: "No worries. We'll solve this."
Until now, although it is clear that "Rametal" sh.pk indirectly finances artistic events organized by the NGO of citizen Ajola Xoxa, according to the proceeding body, it is not understood why these rental contracts are the subject of discussion between the two financiers.
Then, something begins to be understood about this, when Adela Kondakçiu on page 55 asks the economist to know how much is the difference to be billed by them (understood to be from the NGO organizing the event).
The economist replies: "8326.25 (euro) is the payment we made to La Veronal." Adela tells her that according to her accounts, she owes a total of 2,016,000 lek including VAT and asks for confirmation of this.
After taking her time, the economist answers on page 57 that: "The total of the TOB invoice is 36,436 euros, from which 8,326 euros in payment for La Veronal and 6,072 euros in VAT must be deducted. In the end, the value is 22,037 euros."
Adela responds on page 5859 that she does not have the total values, but there is a confirmation from Keti (Ketrina Braho-"Harabel") only the value of 28,800 euros, which should be covered by "Rametal" sh.pk
Interesting at this point is the fact that this value that must be covered by "Rametal" sh.pk, that is, it must be invoiced by one of Ajola Xoxa's NGOs or companies, is more or less the value of the invoices issued by "Rametal" for TOB.
On page 59 of the communications, the economist sends two invoices produced by "Rametal" sh.pk for the Opera Theater, for the amount of 1,456,056 lek and 2,241,864 lek.
On page 61, Adela Kondakçiu tells him that, so that "Rametal" also does not pay VAT, invoices should not be made now in December.
The economist answers on page 62: "Better for us with VAT."
Next, Adela Kondakçiu asks on page 63: "What about the descriptions on the invoices, how do you want us to do it?"
The economist replies: "Is there any space for you to make us the invoices from 'Harabel'?"
Adela responds on page 63: "If we do it from the sparrow's daughter, we will make it a sponsorship. It is actually VAT-free" (page 64).
So, from these communications it is at least clear that the invoices issued by the NGO of citizen Ajola Xoxa are fictitious in the services they are supposed to have provided. In this case, “Rametal” sh.pk is requested that an NGO issue an invoice for a sh.pk like “Rametal” sh.pk, but this seems objectively impossible, since a non-profit organization can only benefit from sponsorships from other private entities. Even more clearly emerges the intention of the interlocutors to produce invoices, which do not really reflect the requested and provided service, but serve only to transfer the amount of money to the bank account of “Partners law”.
Specifically, on page 64, the economist responds to Adela Kondakçiu: "Look, if you have work to do, we'll do it after the holidays. Otherwise, do it from PARTNERS. WHAT CAN I SAY? I don't know either right now."
Adela continues by asking: "What if we get a rental invoice for equipment from a limited liability company? Not Partners, that is."
From this it is also clear that the invoices that will be issued in the name of "Rametal" sh.pk, by NGOs controlled by citizen Ajola Xoxa, are completely fictitious.
The economist replies: "Yes, it's fine."
He then remembers and adds: "It's dawning on me that we also have to do the contract we made for Preljocaj with this company that will invoice us. Because then they won't be connected."
Adela Kondakçiu tells her that they have done transportation with Preljocaj. The economist also tells her about equipment and adds: "THE IDEA IS THAT WE HAVE A CONTRACT WITH PRELJOCAJ BUT WE HAVE NO INVOICE. AND THAT'S WHY WE HAVE BEEN DISCOVERED."
At this moment, Adela Kondakçiu asks if this contract has been submitted somewhere, but the economist from "Rametal" answers: "Not yet. Only the notary has it."
Adela Kondakçiu addresses the economist, saying: "I wanted to announce that I am making this invoice for Rametal today for TOB differences. I will make the invoice from Partners Law and it will include VAT."
So, they finally decide who will issue the invoice and the company is "Partners Law" sh.pk of citizen Ajola Xoxa.
The economist replies: “Okay.” Page 71. Adela Kondakçiu sends the value: “22,000 euros plus VAT.”
The answer is: “Ok. Adela Kondakçiu asks the economist to confirm whether the invoice for Partners has been paid.”
The economist responds on page 73 that they haven't closed it yet and will let you know as soon as it is processed.

So, in this entire scheme explained by the court in an analytical manner, it results that TKOB collaborated with Ajola Xoxa's NGO for the performances, while Elman Abule, through "Rametal", gave millions of lek for costume design and scenography.
This is also confirmed by Elman Abule in his statements to prosecutors, where he states that an artistic performance was to be held and Rametal covered the logistics. He does not know who organized the performance. He says that it was organized urgently because Marisa, who had talked to Ajola, requested it. He explained that he does not remember the payments received and does not know what happened to the amount collected.
"He was asked about the service he provided to the Opera and Ballet Theater, and he explained that an artistic performance would be held and Rametal covered the logistics. He does not know who organized the performance. He says that it was organized urgently because Marisa, who had talked to Ajola, requested it. He explained that he does not remember the payments received and does not know what happened to the amount collected," Abule declared to prosecutors./ CNA
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